Welcome to Bliss/Aquamarine - alternative, underground and indie music.


MORDECAI SMYTH The Mayor of Toytown is Dead LP/CD (Mega Dodo)
The title of this album is no doubt a reference to Mordecai Smyth's moving away from the eccentric 60s-influenced 'Toytown' psych-pop of past recordings and heading in a more prog-influenced direction. Billywitch has a pop heart, yet is informed by the more accessible side of prog. The River of Sleep is dark and dramatic, straddling the boundaries between prog and gothic rock, with occasional tinges of jazz and psychedelia adding to the heady atmosphere. Heading Back West is country-rock viewed through an English psychedelic lens. A Knife and a Key is inventive prog-pop, inspired one moment by a blend of flamenco, bossa nova and mariachi, before drifting into gentle pastoral classical music then lurching towards twisty-turny prog rock. Happy is bouncy quirky pop with prog stylings. Dissent into Chaos is angular, spiky, early 80s-ish electropop interspersed with a variety of instrumental parts from atmospheric prog to intense noise-rock. The cover of Caravan's Golf Girl is much in keeping with the rest of the album, combining a pop sensibility with psychedelic quirkiness and prog angularity. A free-thinking, innovative mix of styles which will come as a surprise to anyone expecting the album to follow on in the same vein as Mordecai Smyth's debut album Sticky Tape and Rust. Available at www.mega-dodo.co.uk

VARIOUS The Quietened Cosmologists CD (A Year in the Country)
Continuing A Year in the Country's themed compilation series, The Quietened Cosmologists is inspired by discarded or unrealised space exploration projects, and "the intrigue and sometimes melancholia of related derelict sites and technological remnants that lie scattered and forgotten". The album includes the vintage sci-fi bleeps and ominous drones of Field Lines Cartographer, Pulselovers' disorienting yet strangely reassuring cinematic drone piece, Magpahi's beautiful combination of medieval folk and retro-futurism with a dark edge, Vic Mars with an ethereal instrumental that could be described as electronic classical music, Unit One's semi-abstract bleeps, drones and chugs creating a dystopian sci-fi mood, A Year in the Country's dark, beat-driven electronica with its pummelling rhythms and menacing drones, Keith Seatman's space-pop instrumental combining off-centre retro-futurism with a sense of fun, Listening Center's woozy, dizzying and nightmarish experimental music, and David Colohan's brooding, film score-esque piece combining classical and folk motifs. As always with this series, this is an impressive snapshot of current music broadly categorisable as experimental, its homemade packaging having a personal touch and a keen eye for detail, and its shared theme giving it the cohesive feel of a complete album rather than a random collection of tracks. Find out more at www.ayearinthecountry.co.uk

KOSMONAUT Misfits on the Horizon (The Porterfield Recording Company)
Kosmonaut consists of members of three bands who were familiar names in the indiepop world around the time I started getting to know about this music. Anyone with a long-held interest in this genre will surely recognise Stephen Maughan from Bulldozer Crash, Malcolm (Mala) Reay from The Gravy Train, and Geoff Suggett from The Lavender Faction. Kosmonaut have released music on Matinee Recordings in the past, and now they are back with this album which is the debut release on new label The Porterfield Recording Company. The limited edition CD sold out pretty much immediately, but a download version is still available via Bandcamp. Silver Star is great powerpop combining strong melody and sunny jangle with gutsy guitar noise; puts me in mind at times of Teenage Fanclub. Losing Friends is brilliant indiepop in the best late 80s/early 90s style, that takes me right back to my early explorations of labels like Sarah, A Turntable Friend, and Summershine. Winter Sun is light and airy pop with swirling electronics. Canada is brooding electropop with roots in the early 1980s, swathing a hypnotic groove within a darkly atmospheric swirl. Debbie Harry's Smile is fuzzy buzzy noisepop with an infectious enthusiasm. Not So Clever Now puts an off-kilter spin on old-school indiepop with its mix of chiming and chainsaw guitars and ethereal keyboard. Rise Again blends soulful retro rock with fierce yet atmospheric guitar noise. Your Day in the Sun is an innovative mix of vintage-style indiepop with ambient drones and shuffly electronic beats. A really amazing, uplifting album that appeals equally to my love of classic indiepop and my appreciation of inventive musical eclecticism. Very highly recommended! Available at kosmonaut01.bandcamp.com, with further info at www.facebook.com/kosmonaut.uk

THE BRAINIAC 5 We're Ready! CD/download (Reckless)
The Brainiac 5 have been on a roll since reforming in 2013. Just a few months after their recent Journey to X album and not that long after its predecessor Exploding Universe comes this latest album in which all-new material appears alongside reworked versions of a couple of older tracks. Drinking Song is a punchy mix of punk, ska, underground pop, and psych-rock. The Holy Tangible is brilliant stuff, bringing together classic melodic psych-rock with a punk energy and atmospheric undercurrents. Wave begins with raw American-style folk and twisted blues, giving way to thrashy powerpop punctuated by psych instrumental sections from intense to mellow and back again, including some atmospheric use of flute, marimba, and experimental sound effects. She's Free is thrilling psych-punk-ska with guest vocals from Jessie Pie, whose powerful, soulful voice works well with this intense song which long time followers of The Brainiac 5 will recognise as a reworking of Trotsky from their 1978 EP Mushy Doubt. Night Games is another song from The Brainiac 5's past, but one which has not been recorded until now. Purportedly dictated by Jimi Hendrix via a ouija board conversation, it blends retro funk-rock with the band's trademark psychedelic punk approach. Space is the Place originally appeared on The Brainiac 5's comeback EP from 2013; a new version rounds off the current album with its perfect balance of strong melody and intense psych-rock and punk aspects. Exciting, powerful music from a continually impressive band. Visit www.brainiac5.co.uk

RICHARD WARREN Disentangled LP/download (Hudson)
Richard Warren has a diverse and prolific musical background, having been involved in various bands since the mid 1990s, including Echoboy, Kings of the South Seas, Spiritualized, Starsailor, and most recently Jon Boden's band The Remnant Kings. He has also released four solo albums since 2010, of which Disentangled is the latest. Rooted in the country idiom, the album features such songs as Last Breath (country-rock with a smoky bar-room atmosphere), Simplify (woozy alt-country), and several other songs for which Lauren Laverne's "weirded out Johnny Cash" comparison is apt. For me though, Richard Warren really shines when he goes one further with the experimentation, psychedelia and eclecticism. Only Always combines raw-edged American-style psych-folk-rock with gentle piano, the repeated minimalistic lyrics creating a mantra-like atmosphere. Silvertown is a psych-folk-rock instrumental that's chilled-out yet with a menacing edge, the lo-tech DIY-sounding drum machine adding an extra layer of quirk factor. Disentangled is a raw electric blues/US folk instrumental blending the nicely hypnotic with a certain sharpness. Withered Tree has wobbly drones and military drums setting the scene for a piece I can only describe as 'fever-dream folk-rock'. Find out more at www.facebook.com/RWarrenMusic and www.hudsonrecords.co.uk

THE DELTA BELL Hold Fast the Fire LP/download (Random Acts of Vinyl)
The Delta Bell are a Brighton band headed up by songwriter/musician Kate Gerrard. The music here is beautiful and sophisticated, having equal appeal for fans of country and indiepop. Berlin combines country, classic jangly indiepop, and cinematic strings. Little Girl Lost is bleak yet bright, pairing jangle with a spaghetti western twang, and having an overall vibe that comes across rather like how Sixteen Horsepower might sound if they were led by paired female vocalists. Modern City is poppy country with an arrangement that brings together the chug and guts of powerpop with retro keyboards. Golden is really moving folk-rock with very lovely use of strings, piano and vocal harmonies. Ride Out begins with a minimalistic Hammond organ and vocal intro setting the scene for a melancholic, world-weary mix of country and jangly indiepop. An excellent album from a band I'm keen to hear more from. Visit www.randomactsofvinyl.co.uk and thedeltabell.co.uk

ANDY B Fantasy World CDR (Pastime)
Another new album from one of the most prolific underground artists there is! Coming mostly from the noisier side of Andy B's output, the album includes such songs as Lose Myself In You (thrashy noisepop), Leaving Town (1980s-style indiepop with a nice juxtaposition of noisy guitars and synthesised strings), Why Can't You See? (melancholic sentiments swathed in shoegaze-ish atmospheric noise), Get Out of My Hair (bouncy, catchy pop with a sort of indiefied mod touch), and Communication Breakdown (dark and slightly angular, with roots in the post-punk era). 4 songs from the album have also been released as the taster EP Lose Myself In You. Available on CD at pastimerecords.webs.com or download at pastimerecords.bandcamp.com

VARIOUS All the Merry Year Round CD (A Year in the Country)
The latest in A Year in the Country's themed compilation series, this time focusing on the associations and connections between traditional folklore and pop-cultural or media-driven folklore; those ideas that have their roots in television and film yet have a similarly ritualistic nature to older forms of folklore, and in acquiring new layers of meaning as time goes by, take on a significance that goes beyond mere entertainment. United Bible Studies' Towards the Black Sun is an inventive, artistic piece loosely classifiable as dark psych-folk, whilst interpreting this genre in a way that is entirely their own. Poetic, evocative lyrics paint a vivid picture of an apocalyptic dystopia, accompanied by woozy, hypnotic drones and beats. Circle/Temple is Dom Cooper of The Owl Service, whose Rigel Over Flag Fen is a fine slice of dreamlike minimalistic electronica. Magpahi contributes a sophisticated blend of medieval-esque folk, classical piano, and analogue electronics. Cosmic Neighbourhood appear with a trance-inducing mixture of electronic minimalism, spacey sound effects and mantra-like repeated vocals. Field Lines Cartographer provides a driving, pulsing analogue synth piece with an menacing atmosphere.
Polypores' Meridian is an atmospheric vintage electronic piece in multiple parts, its first section combining a repeated oboe riff with throbbing drones and spacey effects, followed by a section based around a plaintive minimalistic melody, and finally a gentle, relaxing drone. A Year in the Country's Tradition and Modernity is cinematic experimental electronica with a feeling of foreboding. Sproatly Smith's Moons (Part 1) is beautifully dark, with haunting wordless vocals and ghostly whispers over whirring and pulsating vintage synths, clattering metallic percussion and swirling psychedelic organ. Pulselovers' Tales of Jack is melodic and beat-driven electronica that somehow manages to acquire an otherworldly sheen even while eschewing overt experimentalism. The Hare and the Moon collaborate with The Owl Service's Jo Lepine for I'll Bid My Heart Be Still, combining medieval-style balladry with ominous cinematic effects and blistering psychedelic guitar. Time Attendant's In a Strange Stillness is filmic sound art with a feeling of surrealism and tension. The Seance comprises Pete Wiggs of Saint Etienne and James Papademetrie; their Chetwynd Haze is a nightmarish cinematic instrumental that is as engaging as it is unsettling.
The album has the same meticulously hand-assembled packaging as previous compilations in the series, and can be ordered at www.ayearinthecountry.co.uk

SIMON FELTON Topsy Turvy CD/download (Pink Hedgehog)
The latest homemade - but definitely not lo-fi! - solo album from Garfields Birthday's Simon Felton. The Ghost of Christmas Past is a dark-edged, psych-tinged piece blending powerpop with late 60s American folk-rock. Out of Time is sophisticated classic pop with jazzy undercurrents and smooth vocal harmonies. In the Garden is superb orchestrated harmony pop with tinges of folk and psychedelia. Your Place or Mine is great powerpop balancing a gutsy chug with strong melody and vocal harmonies. Smile for the Camera is an enjoyable synthesis of 80s-style indiepop and 60s harmony pop. The Garfields Birthday song You Should Know Better By Now is revisited here, opening with a creative mix of strings and sound manipulation which gives way to another fine slice of jangly harmony pop. The Measure of All Things is light and airy pop with nice use of orchestration, taking on a darker tone as it segues into a forceful poetry performance by Stephen Kalinich, the poet and lyricist best known for his collaborations with The Beach Boys. A classy album that successfully blends Simon's roots in indiepop and powerpop with more overtly sophisticated influences such as jazz and orchestral music. Find out more at www.pinkhedgehog.com

NATHAN HALL & THE SINISTER LOCALS Effigies double CD (The Hip Replacement)
Debut album from Soft Hearted Scientists frontman Nathan Hall's new project. The 2 CD set comprises the main album plus a bonus disc of home demo versions of the album tracks. Plant Your Flag is swirling, colourful pop with orchestrated and spacey bits, its "neutralise the doom and gloom" refrain an apt description of what the song actually does. The Unholy Ghost blends eccentric whimsy with nightmarish angularity. Stained Glass Girl paints a vivid picture of a fantasy world populated by vampire squid and phantom wolves, set to an inventive multi-part arrangement. Spider Skin is kaleidoscopic psych-pop employing a hectic fairground atmosphere to satirise those "busy bees" who Nathan sums up in the press release as believing "never coming to a standstill is a badge of honour". Your Name in Flames is luxuriously arranged, with theremin and spacey vintage synths lending a dramatic sci-fi film score feel to the piece. This is a superb psych-pop album pairing sumptious arrangements with a lyrical wit. The demo album has a more stripped-down acoustic emphasis, and offers an enjoyable insight into the songs' origins. The album is available at nathanhallandthesinisterlocals.bandcamp.com

JUHA KUJANPÄÄ Niin Kauas Kuin Siivet Kantaa / To Where My Wings Will Take Me CD (Eclipse Music)
Third part of an instrumental album trilogy from Finnish composer Juha Kujanpää, who is joined here by an 8-piece backing band including three members of Frigg. Vuorikiipeilija (Mountaineer) is a huge cinematic piece over 10 minutes in length, incorporating influences from folk, prog and orchestral music. Kumina (Caraway) is an intricate, swirling folk-rock piece drawing from Eastern European and Greek folk motifs. Aurora is a beautiful piece taking on board elements of film score, prog, folk and country, but ultimately defying genre classification. Matkalaulu (Travel Song) is an excellent Finnish folk fiddle piece incorporated into a folk-rock setting, really amazing stuff. Hirvitalon Valssi (Waltz from the Moose House) is an inventive and effective synthesis of folk waltz, orchestral vintage movie soundtracks, circus music, and laid-back jazz. Finnish and Greek folk music are combined with prog rock in the fluttering and soaring piece aptly named Perhostanssi (Butterfly Dance). An excellent album with top class musicianship and creative musical ideas, its eclectic sources of inspiration brought together into a cohesive whole. Highly recommended. Visit www.eclipse-music.net and www.juhakujanpaa.com

SENDELICA The Cromlech Chronicles II LP (Fruits de Mer)
Sendelica returned to the Mwnci studio located next to an ancient cromlech for a second recording session, following the 2015 recordings released as the first Cromlech Chronicles album. This prolific band are often categorised as spacerock; whilst this is not inaccurate, Sendelica have always taken on board an eclectic set of influences, their previous releases combining genres such as ambient and jazz with spacerock, and with their cover versions they have put their own stamp on material from artists as diverse and unexpected as Donna Summer and Scott Walker. The Cromlech Chronicles II is different again, leaving aside their spacerock influence entirely in favour of an experimental soundscape approach with similarly diverse influences. There are two side-long tracks heading towards twenty minutes apiece, the core band being expanded with the addition of several guest musicians bringing in a wide range of world music instruments, cello, and more. Ripples of the Megaliths is a calming mix of neoclassical music, gently throbbing ambient drones, atmospheric bells and gongs, mellow yet experimental jazz, and Sanskrit chanting. Even Though My Mouth is Silent is a cinematic ambient soundscape combining gentle drones with improvised cello, woodwind and percussion, along with heavily processed wordless vocals adding extra layers of atmosphere, and the chanted lyrics from Cheryl Beer appearing near the end of the piece. Find out more at www.fruitsdemerrecords.com and sendelica.bandcamp.com

MARC ELSTON I'll Build A Better Castle CD (self-released)
This solo album from Marc Elston (Bulldozer Crash, The Liberty Ship, Johnny Domino, Franklin's Kite) explores a number of sounds and moods whilst remaining true to the spirit of classic indiepop. There's the punchy title track, the airy Head in the Clouds, and the wistful Three Speeds. The Great Outdoors is uplifting and catchy with ringing guitars and lyrics that celebrate the thrill of nature. I Was Lost is bouncy janglepop that reminds me of Mighty Mighty. Idle Talk is sophisticated 1980s-style guitar pop with shades of early Aztec Camera. Wake Up is bedroom electropop setting a strong melody to the chugs and whirrs of 1980s keyboards. I'm Glad I'm Not You swathes jangle and la-la-las in an ethereal haze. An outstanding indiepop album from a talented artist with a strong understanding and love of this genre. Highly recommended. Available at marcelston.bandcamp.com

EASY Magic Seed LP/CD (A Turntable Friend)
EASY A Heartbeat From Eternity LP/CD (A Turntable Friend)

Magic Seed, the critically acclaimed debut album from Swedish band Easy, was originally released 27 years ago on Blast First, leading to UK indie chart placings and European tours with the likes of The Jesus and Mary Chain, The House of Love, and Lush. The recently revived A Turntable Friend label - one of the best sources for indiepop/noisepop in the 1990s - has now released a remastered edition of Magic Seed on lavishly packaged gatefold vinyl that comes with an extra CD with 6 bonus tracks. A CD version with all 16 tracks is also available. He Brings the Honey is an amazing track bringing together bright jangle, searing noise and a shuffling drum rhythm to maximum effect. Cloud Chamber is a classic of early 90s indiepop, pairing a strong catchy melody with gritty noise and a nicely atmospheric instrumental section near the end. Horoscope combines tuneful pop with a hypnotic, ethereal arrangement. Pleasure Cruise begins as a melodic song and ends as a chaotic noise onslaught that reminds you the band were previously on Blast First. Magic Seed has a laid-back summer afternoon feel with that jangly sound I so love. Bonus tracks include the fuzzy, buzzy Apples for You, the powerful and uplifting noisepop of Snake Charmer, Daniel Miller's remix of Horoscope which brings the song's ethereal aspects even further to the forefront, and a swirling atmospheric demo track, Come Find the Horses.
Easy reformed following the 20th anniversary of Magic Seed, and are back with an album of all-new material, A Heartbeat From Eternity. Some tracks hark back to the band's roots, for example the noisepop of For Beauty and It's OK to Cry, the airy, dreamlike indiepop of Swimming with the Beast, the hazy, hypnotic leftfield pop of A Picture (I've Got Mine), and the chiming janglepop of The Reincarnated, whilst others see Easy adding further facets to their sound: I Can Tell You Why is noisepop with a Motown twist, Song to Remember is riff-laden retro rock filtered through a noisepop lens, and Ask the Sky is sparkling electropop, really uplifting with a catchy chorus. The albums are distributed worldwide by SRD, or available direct from www.aturntablefriendrecords.com

The seventh album from Adam Geoffrey Cole's Gnostic folk project Trappist Afterland is the most lavishly presented yet, peach vinyl within a full colour inner sleeve within a gatefold sleeve, really nice visual presentation here. The music is, needless to say, no less impressive. The Blood in the Wood is dark-edged, hypnotic, psychedelic folk with the swelling, pulsing drone of the tanpura, impassioned vocals, and atmospheric violin. Burning Bushes combines traditional folk influences with mind expanding, swirling effects. Song for Sundog is a beautiful, touching memorial for Adam's dog Syd, lushly arranged with oud, violin and Eastern percussion, and ending with a spoken word section from the Kitchen Cynics' Alan Davidson. Stickboy is more sparsely arranged yet retains the dreamlike atmosphere of the rest of the album, interweaving harmonium and flute among the acoustic guitars. Trace Your Root is beautifully atmospheric, combining lilting Mellotron with Eastern folk instruments. Forest Mass features evocative nature-mystical lyrical imagery swathed in a heady arrangement combining psych-folk with ambient and experimental aspects. This Clock Tick Tock is Trappist's most psychedelic moment yet, with Mellotron alongside an intriguing whirring effect like otherworldly birdsong. A truly amazing album from this highly recommended band and label. I can see it becoming a long term favourite of mine, it really is that superb. Get it at www.sunstonerecords.co.uk

ANDY B Catch My Breath and It Will Never Be The Same CDRs (Pastime)
Prolific DIY musician Andy B returns with another two new albums. Don't be fooled by the twee cuddly toy animals on the cover of Catch My Breath - you won't find happy-go-lucky innocence here. Let It Go is noisy and on-edge with lyrics of confusion, nostalgia and melancholia. Silly Boy is an angular, loping, punkish number. My Turn Now is an energetic mod/garage-tinged noisepop song about getting revenge on a school bully. Andy also revisits and reinvents a handful of older tracks, such as the stripped-down acoustic reworking of Let's Talk About It Later Baby. Latest album It Will Never Be The Same focuses on the wistful and pensive side of Andy's output, with heart-on-sleeve lyrics of regret, emotional pain, world-weariness and a need for escape set to melancholic music inspired by late 80s/early 90s indiepop. Available on CD at pastimerecords.webs.com or download at pastimerecords.bandcamp.com

MISERABLE LES Gulp CD (Miserable Records)
An impressive album of modern folk, with high quality musicianship and intelligent, poetic lyrics with a quirky wit. There are songs about the guy who uses social media to brag and create a false persona (Facebook John), creepy crawlies and their power to scare (Spider), and the hangover so bad you never want to drink again (Unhappy Hour). Cul-de-sac sets observational vignettes about the inhabitants of a close, who range from the unusual to the outright criminal, to an arrangement that recalls folk greats such as Martin Carthy and Bert Jansch. Hey Nonny Nonsense, despite its jokey and self-deprecating title, is actually a far from nonsensical instrumental combining medieval-esque English folk with American folk motifs. Loop-de-Loop is a bluesy ode to loop pedals with laugh-out-loud lyrics. Well crafted stuff from an artist I hope to hear more from. Proceeds go to Prostate Cancer UK. Find out more at www.facebook.com/miserableles54

GREEN SEAGULL Scarlet Fever LP/CD (Mega Dodo)
Debut album from this impressive retro band. Not Like You and Me combines 60s-ish jangly harmony pop with big dramatic proggy flourishes. (I Used to Dream in) Black and White is really amazing jangly folk-pop. Shrubbery Road is whimsical observational psych-pop interspersed with a rock 'n' roll swagger. Scraggly Old Tramp brings together a catchy pop chorus, swirling vintage organ and garage rock bite. Lay My Head is superb baroque pop with soaring vocal harmonies. Girls are Coming Into Town is super-melodic psychedelic janglepop. This is a band who are completely in tune with the spirit of the late 1960s, with a vintage image to match their music, and fantastic sleeve art akin to 1960s psychedelic posters. Across the album I'm reminded at times of various 60s bands - The Moody Blues, The Zombies, The Animals, The Kinks, the Small Faces, The Beatles, The Byrds - but rather than coming across like a simple pastiche, Green Seagull's music deserves to be appreciated on its own merits, inspired by the past but infused with considerable creativity and talent of their own. Well worth checking out - available at www.mega-dodo.co.uk

GAVIN JOHN BAKER Night in the Open CDR (Folk Archive)
Latest solo album from prolific artist Gavin John Baker (Billy Mahonie, Jet Johnson, The Baker Boys, Höglin Baker, Meets Guitar, Sightseers, etc). Originally from England and now based in Norway, Gavin is joined here by two Norwegian guest drummers, Kenneth Bæver Bjerke and Svein Olav Eriksen. The similarly prolific English DIY recording artist David CW Briggs also joins Gavin on two tracks as guest guitarist. Summer Layabout is janglepop tinged with American folk. Night Spent in the Open is hazy and woozy indie-rock with lyrics about booze, sex and UFO watching. Traitor's Gate is slow and stripped down lo-fi songcraft with psychedelic aspects. Clay Man sets a US folk-influenced melody to sinuous psych guitar. Hiding Under Leaves puts a psychedelic spin on classic jangly indiepop to maximum effect. Fortune is brilliant folk-rock with intricate guitar work and touches of psychedelia. Reading the Runes is laid-back yet catchy hometaper folk set to a mix of shimmering post-rock and intense, mindbending psych-rock. A great homemade album bringing together elements of psych, folk, indie-rock and -pop, lo-fi hometaper music and post-rock into a cohesive whole. Visit folkarchiverecords.bigcartel.com and gavinjohnbaker.bandcamp.com

BRADFORD Thirty Years of Shouting Quietly double LP/CD (A Turntable Friend)
Bradford are often remembered in connection with Morrissey, who championed the band in the 1980s and went on to cover their song Skin Storm in 1991. They deserve, however, to be remembered in their own right, and A Turntable Friend has made a welcome effort to introduce them to a new audience with this expanded reissue of their Shouting Quietly album which also includes tracks from their other releases as well as some previously unreleased material. The album is available as a 30-track double CD or a 21-track double LP limited to 500 copies, which includes a download code for all 30 tracks from the CD edition. Both formats come with gatefold packaging and extensive liner notes by music journalist, blogger and club DJ Fergal Kinney, who aptly sums up Bradford's sound as "tough but sensitive and literate". The music here is melodic, intelligent and sophisticated guitar pop written from the perspective of disaffected and alienated working class youth living under Thatcherism. The lyrics, printed in the accompanying booklet, are poetic and meaningful, and drawn from real experience not dogmatic sloganeering.
Greed and Pleasant Land is sharp, sparkling pop with a wry wit exposing injustice and shallowness amid a mix of bright jangle, bursts of brass and Hammond organ. To Have and to Hurt features atmospheric and undulating keyboards alongside jangly and spiky guitars. Always Torn is sophisticated, soaring guitar pop with lyrics of doubt and emotional turmoil. Lust Roulette tells a tale of the futility of searching for 'the one' within dingy nightclubs, set to a jangly guitar and dreamlike keyboard accompaniment. Skin Storm, which appears here in album and single versions, is poetic, evocative and sensual. Boys will be Boys casts a critical eye over the culture of drumming machismo and hypocrisy into males since birth. Pint of Bitterness is powerful pop with a message of positivity over malice. Whilst most tracks here are rooted in the indie pop idiom, Bradford are clearly not indie purists. Radio Edna is most illustrative of this, being baroque pop wrapping a bouncy rhythm within a psychedelic swirl. This is an album of indie pop with equal room for beauty and bite, poetry and harsh realism. "Truly a lost English classic", says Fergal Kinney, and he is absolutely right. Distributed by SRD, or available direct from the label at www.aturntablefriendrecords.com

GRAY/BLISS Tilling Lurid Lullabies CD (ReverseReleaseRecords)
Gray/Bliss is mainly the work of multi-instrumentalist Nick Sapounas, who is joined by Mike La Bella, Drew Bartosik, and Henry Johns on selected tracks. Perennial Digression is psych-pop with bouncy piano and swirly guitar effects. Exitlude is a woozy instrumental with diversions into laid-back jazz territory. Reverse Release brings together lazy summer day harmony-pop with retro-futuristic aspects like vocoder and the spacey whooshes and bleeps of vintage synths. Vice of Virtue combines shades of psychedelic Beatles with an underground angularity. Blink of an Eye is great psych-pop with a bendy, off-kilter atmosphere. Aenesthesia subverts lounge music, soul and light jazz into a kind of feverish experimental pop. No More combines a strong, catchy powerpop tune with intricate psychedelic guitar work - great stuff. The band also deal in cinematic instrumentals, such as Channelling and Circadian Rhythms. This is an inventive album bringing diverse influences together to create a cohesive overall sound that's distinctive to this band. Sometimes they tap into a similar vibe to retro-futurist/soundtrack-influenced bands, sometimes there are hints of 1960s music, but overall this is a band who are very much doing their own thing outside of restrictive genre confines. Well worth investigating - visit grayblissmusic.bandcamp.com

GRANDPA EGG Underneath the Willow Tree double CD (self-released)
Grandpa Egg were formed in 2010 by multi-instrumentalist brothers Jeb and Bart Morris, and expanded their line-up the following year to include Inga Kristaponyte and Jordin Goff. Underneath the Willow Tree is their third album, recorded at assorted lo-tech locations (a mobile home park, a basement) and self-released. Whilst the album is professionally pressed, the artwork has a cut 'n' paste aesthetic in keeping with the homemade nature of the music. It is a 'storybook album' centred around a specific set of characters, and explores themes such as suicide, bullying and loneliness, but also friendship. Jungle Joe is off-kilter folk-pop with strummed banjo, organ, and vibrato vocals that put me in mind of Donovan. Moving-in Song is cheery banjo-driven folk-pop ornamented by glockenspiel and tambourine. Box of Letters is beautifully eerie psych-folk. Up and At 'Em is a sunny, ultra-catchy song that encapsulates the best bits of indiepop, American folk-rock and psych; really brilliant. I Dream of Holly is psych-folk with surreal and spooky experimental elements. Willow Tree is bouncy pop with folk and psych aspects. Sucking at the Air is lo-fi experimentation with disturbing lyrics of violent bullying. Park Bench is quirky lo-fi songcraft setting hushed vocals to toy piano, banjo, and crackly background sound effects. Fishhooks in My Brain is angular, dissonant and experimental lo-fi pop. End of My Rope is a lyrically unsettling but musically beautiful piece in two parts, taking in melancholic folk-pop and dark experimental psych-folk sections. An inventive homemade album successfully blending lo-fi experimentation with strong folk and pop tunes. Visit www.grandpaegg.com

JONATHON HERON Half Penny Ballard's CDR (Wishing Chair)
Latest album from Jonathon Heron, the alter-ego of Jon Chinn, also known for his work with Darkships and Astralasia. As usual with Wishing Chair releases, the CDR comes with nicely put together homemade packaging which treats the release as a complete art package. This album comes with a lino-cut art print of a hand holding an ivy leaf, and hand-drawn on-body CD art. On the cover, the hand and leaf image reoccurs in a surreal form, an eye within the leaf looking back at the person holding it. The 'Ballard's' of the title is not a typo for 'ballads', but a now-demolished swimming pool in Plymouth. It doesn't seem to have much bearing on the music itself, which takes much of its inspiration from the world of nature. Munderfield Hill is contemporary folk with sparse yet intricate acoustic guitar accompaniment. The Inner Revolution is minimal instrumental psych-folk centred around a lone acoustic guitar, later introducing drones for extra texture and atmosphere. Sun Dial is beautiful, hypnotic psych-folk combining acoustic guitar with soaring woodwind, djembe, and the cosmic hum of vintage synths. Jigsaws and Tall Trees features poetic, evocative lyrics against a textured musical backdrop. Snail Shell is dreamlike psych incorporating ethereal harmony vocals and atmospheric electronics. A mind-altering and moving listening experience from this talented artist. Visit www.wishingchairrecords.co.uk and jonathonheron.bandcamp.com

WINTERFYLLETH The Hallowing of Heirdom (Spinefarm/Candlelight)
Winterfylleth ('Winter Full Moon', the Anglo-Saxon name for October) started life as a black metal band and received much acclaim in the metal scene for their previous albums in this vein. Whilst they have always been inspired by traditional English folk music throughout their ten year existence, their sixth and latest album The Hallowing of Heirdom takes this influence to a whole new level, being an acoustic album that places folk right at the forefront and gains lyrical inspiration from folklore, ancient customs, history and landscape. The core line-up are joined here by guest musicians adding orchestral instruments such as strings and flute, providing an additional classical element to the album. The Shepherd is a traditional-style folk song with strongly atmospheric accompaniment combining drones, powerful and resonant multi-part vocal harmonies, a sophisticated string arrangement, and intricate guitar work. Æcerbot is inspired by the Anglo-Saxon field-blessing charm of the same name, bringing together gentle pastoral folk with celebratory harmony vocals and soaring strings. Elder Mother is an amazing, artistically arranged piece with top class musicianship effortlessly combining classical and folk motifs. The lyrics incorporate material from historic folklore linked to the elder tree, such as the legend of Mother Shipton and the Rollright Stones, and a rhyme from English folk tradition recited when cutting elder wood, which is effectively a prayer to the tree's indwelling spirit. Latch to a Grave is brooding, melancholic folk swathed in mournful strings. The album ends with the title track, another very fine orchestral folk piece with lyrics firmly rooted in the natural landscape. The song-based tracks are punctuated by instrumentals, including the medieval-influenced A Gleeman's Volt, and Embers which surrounds delicate acoustic guitar with ethereal synth sounds. In addition to the standard CD, the album is available as a double LP on yellow and black vinyl in gatefold sleeve, and a double digipak CD with 4 bonus tracks, the plaintive instrumental Across Silent Fells and alternative versions of three tracks from the main album. An incredibly well-crafted album, steeped in history. More info at www.winterfylleth.co.uk

TRENT MILLER Time Between Us CD/download (Bucketfull of Brains)
Fourth album from Italian-born and London-based songwriter Trent Miller, out on the label offshoot of long-established underground magazine Bucketfull of Brains. Time Between Us is sunny American-style folk-pop with a gritty guitar sound and an anthemic harmony-laden chorus. How Soon is Never is dark-edged and thoughtful Americana, lushly arranged with strings and piano. Moonlight Cafe is brooding, sophisticated pop swathed in ethereal electronics. Motel Rooms of Ocean Blue brings together the three contrasting musical components of smoky bar-room country, orchestral sophistication, and an underground pop sensibility. Bonfires of Navarino Road is plaintive alt-country with Rhodes piano, orchestration, and shimmering dreampop effects. After the Great Betrayal is intense, dramatic and stylish, with effective use of woozy slide guitar and soaring strings. Trent Miller is a talented artist whose brand of Americana has equal room for grit and sophistication. Find out more at www.trent-miller.com and www.bucketfullofbrains.net


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